Peter Suderman has an interesting essay on attitudes towards surveillance in the latest issue of The New Atlantis. From the intro:

Two hit television dramas exhibit the complex human response to technological surveillance: 24 and The Wire. Both shows shed light on the growing societal awe of surveillance technology while also reflecting our fear and uncertainty about our ability to master it. Although surveillance technology dominates the worlds of both shows—24's built-up city of Los Angeles and The Wire's decaying Baltimore slums—the shows' overarching attitudes towards surveillance differ greatly. Fox's 24 bows in awe of the omnipotence and omnipresence of satellites and fiber optics, while HBO's The Wire regards phone taps and recording devices suspiciously, as flawed tools that reveal the corrupt nature of bureaucracy and are, at best, necessary evils. Thus, the difference between the two shows is one of belief: one's view of surveillance technology is based in faith, the other's in doubt.